Photography and Digital Camera




Aug
25

Portrait Photography

Filed Under Photography

           In portrait photography there are a few guidelines that you should review and think about when you take pictures of people.  The  three general types of portrait photography are: close-ups or facial shots, upper body shots, or environmental portraits (where you focus on the subject and the surrounding environment that gives the subject character). 

           Some of the best portraits are where the subjects look completely comfortable like their not looking at a camera.  When people try to smile or make a certain kind of face for the camera it usually doesn’t seem very genuine.  The trick is to capture the image when the subject(s) aren’t necessarily focused on the camera.  The main purpose of portrait photography is to capture the essence of the subject(s).  Different people have different techniques for doing this, one of which is taking a picture while the subject is planning on smiling and then take another couple while they are recovering.  Or another way would be to tell a funny joke where they can’t help but genuinely laugh and smile.  But probably the best way is just to catch them off guard by waiting for the right opportunity and snapping a picture right when they look at you not expecting a camera.

           Close-up portraits usually have the subject’s shoulders and head or less.  They are basically framed around the face.  These are the best to capture expressions and glamour shots. It is very important to have the light coming from a good angle for these.  If you want to accent wrinkles or small details you should have the light coming from the side or from the top.  If you want flattering pictures you should take these on a day that’s cloudy so there is a lot of diffused light and therefore no shadows. 

           You will get the best results if the subject is brighter than the background so there is not much distraction.  For these you should use a wide aperture (low f/stop) to make the background out of focus and less of a distraction.  Professionals usually use a fixed telephoto lens that’s 90 mm or a little higher for portraits for the reason that it de-emphasizes the subjects nose or any other unflattering feature because at that far away the nose or any other significant feature doesn’t seem closer to the camera than the rest of the face.

           Upper body shots or midrange portraits are a little less personal than close-ups.  These are easier to get satisfactory results from mainly because your subject is probably more relaxed plus you can include a little of the background.  These are probably the most commonly used for single subjects and multiple subjects.  The ideal lens would be around a 90 mm fixed telephoto lens but if there’s many subjects in your frame you will need more of a wide-angle lens.  These are usually used to mark occasions such as graduation, school yearbook, birthdays etc…

           Environmental portraiture are portraits that let us into the life of the subject.  These usually include the whole subject in a scenario or partaking in some hobby that they enjoy.  These are best for telling a story to the viewer about the subject in the pictures.  Photojournalists almost always use these to look into the lives of interesting people.  These also work very well in Black and White.

Aug
25

Photography Exposure Basics

Filed Under Photography

           Exposure is the amount of light collected by the sensor in your camera during a single picture.  If the shot is exposed too long the photograph will be washed out.  If the shot is exposed too short the photograph will appear too dark.  Almost all cameras today have light meters which measure the light in the given shot and set an ideal exposure automatically.  Most people  depend on the light meter which is fine, but if  you know how to control your exposures you can get some creative and sometimes better pictures.  (The photo on the left is with low shutter speed and narrow aperture (high f/stop).

           The two primary controls your camera uses for exposure are shutter speed (the amount of time the sensor is exposed to light) and aperture (the size of the lens opening that lets light into the camera).  Shutter speeds are measured in seconds and more commonly fractions of a second. (1/2000 of a second is very fast and 8′ seconds is extremely slow).  Apertures are measured in something called f/stops (a very wide aperture is f/2.8 and a very small aperture is f/19).

           You might wonder why there is not just a constant shutter speed or a constant aperture so that you would only have to worry about one control.  The reason is that even though they both control the amount of light getting to the sensor they also control other aspects of the picture.  Shutter speed for example can be used to freeze subjects in midair with a fast speed or it can be used to blur water with a slow speed.  Aperture controls the depth-of-field which is what is in focus in the picture.  Aperture can be used to draw attention to one subject (like the flower on the right) by blurring the background with a wide aperture (low f/stop).  Aperture can also be used to focus everything in a picture with a narrow aperture (high f/stop).  (The photo on the left is with Wide aperture (low f/stop) and corresponding shutter speed).

           On most digital SLR’s (Single Lens Reflex) cameras today you can even change the sensitivity of the sensor when collecting light which is called the ISO speed.  The common span of ISO speed is 100 to 800.  The higher the ISO speed the faster the camera collects light but it also adds more noise to the photograph than the lower speeds.  For example if your trying to take pictures in dim light without a tripod you might want to raise the ISO speed in order to get a picture that’s not blurry.  Most of the time you should keep it at a lower ISO speed if there is enough light, but it makes a big difference when there isn’t.


Low shutter speed and slightly narrow aperture (pretty high f/stop)

The best way to learn how to use shutter speed and aperture is to just keep experimenting with them.

Source : www.picturecorrect.com
Aug
25

Nikon D700

Filed Under Digital Camera

Nkin D700
Nikon Corporation gives the introduction of its latest FX-format digital SLR, Nikon D700 - exceptional performance combined with superior versatility functional mobility and to provide serious photographers with excellent value.

The new Nikon D700 has a wide range of features such as high definition, 3-inch VGA TFT-LCD Monitor with wide viewing angle; 12.1 million pixels-FX format of a CMOS sensor surface 36, 0 x 23.9 mm, the sensitivity range of ISO 200 to 6400; gust up to 5 frames per second (and up to 8 frames per second with the option multi-Power Battery Pack MB-D10, Nikon’s exclusive 51-point AF - System; Scene Recognition System for better auto focus, auto exposure and white balance automatic detection.

Nikon D700 Features :
- Large image sensor, developed by Nikon; 12.1 effective megapixels
- Wide sensitivity range
- High-speed performance
- EXPEED image processing
- Scene Recognition System
- Picture Control System
- Active D-Lighting
- AF system with high-density 51-point AF
- Choose from two Live View modes
- DX cropping mode
- High-definition, 3-inch VGA, TFT LCD monitor with wide viewing angle
- Viewfinder provides 95% frame coverage, 0.72x magnification in FX format
- Image Sensor Cleaning
- Built-in flash with wireless commander function

Nikon D700 Specification :

  • Image Sensor Format
    FX
     
  • Image Sensor Type
    CMOS
     
  • Sensor Size
    36.0 x 23.9mm
     
  • Total Pixels
    12.87 million
     
  • Effective Pixels
    12.1 million
     
  • Image Area (pixels)
    FX-format
    (L) 4,256 x 2,832
    (M) 3,184 x 2,120
    (S) 2,128 x 1,416 

    DX-format
    (L) 2,784 x 1,848
    (M) 2,080 x 1,384
    (S) 1,392 x 920

     
  • Top Continuous Shooting Speed at full resolution
    5 frames per second
     
  • Continuous Shooting Options
    FX-format
    CH: Up to 5 frames per second
    CL: Up to 4 frames per second
    DX-format
    CH: Up to 5 frames per second
    CL: Up to 4 frames per second
     
  • LCD Monitor Size
    3 in. diagonal
     
  • LCD Monitor Type
    Wide Viewing Angle TFT-LCD
    Super Density
     
  • LCD Monitor Resolution
    920,000 Dots
     
  • LCD Monitor Angle of View
    170-degree wide-viewing angle
     
  • LCD Monitor Adjustments
    Brightness, 7 levels
     
  • Slowest Shutter Speed
    30 sec.
     
  • Fastest Shutter Speed
    1/8000 sec.
     
  • Bulb Shutter Setting
    Yes
     
  • Mirror Lock Up
    Yes
     
  • Lowest Standard ISO Sensitivity
    200 in steps of 1/3, 1/2, 1 EV
     
  • Highest Standard ISO Sensitivity
    6400 in steps of 1/3, 1/2, 1 EV
     
  • Highest Expanded ISO Sensitvity
    Hi-2 (ISO 25,600 equivalent)
     
  • Expanded ISO Sensitivity Options
    • Lo-1 (ISO 100 equivalent), in steps of 1/3, 1/2, 1 EV
    • Hi-1 (ISO-12,800 equivalent), in 1/3, 1/2 or 1 EV steps
    • Hi-2 (ISO-25,600 equivalent), 1 EV step
     
  • Storage Media
    CompactFlash© (Type I/II, compliant with UDMA)
    MicroDrive©
     
  • Storage System
    Uncompressed 12/14-bit NEF (RAW)
    Uncompressed 12-bit NEF (RAW)
    Compressed 12/14-bit NEF (RAW, Lossless compressed): approx. 60-80 percent
    Compressed 12/14-bit NEF (RAW, Compressed): approx. 45-60 percent
    JPEG: JPEG-baseline-compliant; can be selected from Size priority and Optimal Quality
    TIFF (RGB)
     
  • File System
    Compliant with DCF 2.0
    DPOF
    EXIF 2.21
     
  • Exposure Modes
    Programmed Auto (P) with Flexible Program
    Shutter- Priority Auto (S)
    Aperture-Priority Auto (A)
    Manual (M)
     
  • Exposure Metering System
    1,005-pixel RGB sensor 3D Color Matrix Metering II
     
  • Metering Range
    1. 0 to 20 EV (Matrix or Center-weighted metering);
    2. 2 to 20 EV (Spot metering) (ISO 100 equivalent, f/1.4 lens, at 20 degrees C/68 degrees F)
     
  • Exposure Meter Coupling
    CPU
    AI
     
  • Exposure Compensation
    ±5 EV in increments of 1/3, 1/2, 1 EVEV in increments of 1/3, 1/2, 1
     
  • Exposure Lock
    Yes
     
  • Exposure Bracketing
    Yes
    From 2 to 9 exposures in increments of 1/3, 1/2, 2/3 or 1 EV
     
  • Shutter Release Modes
    LiveView [LV] mode
    Continuous low-speed [CL] mode; 1-4 frames per second Continuous high-speed [CH] mode; 5 frames per second
     
  • White Balance
    Sun
    Shade
    Fluorescent
    Incandescent
    Flash
    Preset
    Fine Tune by Kelvin Color Temperature Setting
    Auto
     
  • White Balance Bracketing
    Yes, 2 to 9 exposures, in increments of 1, 2 or 3
     
  • LiveView Shooting
    Handheld mode
    Tripod mode
     
  • Playback Functions
    Full frame
    Zoom
    Slideshow
    Histogram
    Highlight point display
    Auto image rotation
    Thumbnail (4 or 9 segments)
     
  • Interface
    Hi-speed USB
    NTSC
    PAL
    HDMI
    10-pin Terminal
     
  • Lens Mount
    Nikon F mount
     
  • Compatible Lenses

    1) Type G or D AF NIKKOR: All functions supported

    2) DX AF NIKKOR: All functions supported except FX-format (36×24)/image size

    3) AF NIKKOR other than type G or D*2: All functions supported except 3D Color Matrix Metering II

    4) AI-P NIKKOR: All functions supported except auto-focus and 3D Color Matrix Metering II

    5) Non-CPU AI NIKKOR: Can be used in exposure modes A and M; electronic rangefinder can be used if maximum aperture is f/5.6 or faster; Color Matrix Metering and aperture value display supported if user provides lens data

     
  • Picture Angle
    Equivalent to angle produced by lens focal length (1.5 times when DX format is selected)
     
  • Viewfinder
    SLR-type with fixed eye-level pentaprism
     
  • Viewfinder Frame Coverage
    Approx. 95%
     
  • Viewfinder Diopter Adjustment
    -3 to +1m-1
     
  • Viewfinder Eyepoint
    18mm
     
  • Reflex Mirror
    Quick-return type
     
  • Interchangeable Focusing Screens
    No
    Type B BriteView Clear Matte VI screen with superimposed AF points
     
  • Viewfinder Magnification
    Approx. 0.72x (50mm f/1.4 lens at infinity)
     
  • Lens Aperture
    Instant-return type with depth-of-field preview button
     
  • Depth-of-field Control
    Yes
     
  • Autofocus System

    Autofocus TTL phase detection, 51 focus points
    (15 cross-type sensors) by Nikon Multi-CAM 3500FX autofocus module; Detection: -1 to +19 EV (ISO 100 at 20°C/68°F); AF fine adjustment possible. AF-assist illuminator (range approx. 1.6-9.8 ft./0.5-3.0m)

     
  • Maximum Autofocus Areas/Points
    51
     
  • Autofocus Fine Tune
    Yes
    Records values for up to 12 user selected lenses
     
  • Focus Modes
    Single-servo AF (S)
    Continuous-servo (C)
    Manual
    Auto
    Manual (M) with electronic rangefinder
     
  • Single-point AF Mode
    Yes
     
  • Dynamic AF Mode
    Yes
    Number of AF points: 9, 21, 51 and 51 with 3D-tracking
     
  • Auto-area AF Mode
    Yes
     
  • Focus Lock
    AE-L/AF-L button
    Half press of shutter-release button (single-point AF in AF-S)
     
  • Picture Control
    Standard
    Neutral
    Vivid
    Monochrome
    Nine User-customizable settings
     
  • In-Camera Image Editing
    Trim
    D-Lighting
    Color Balance
    Image Overlay
    Filter Effects
    Monochrome
    Red-eye correction
     
  • Built-in Flash
    Yes
    Manual pop-up type
     
  • External Flash Shoe
    Yes
     
  • External Flash Shoe Type
    Standard ISO 518 hot-shoe contact with safety lock
     
  • Dust-Off Reference Photo
    Yes
     
  • Virtual Horizon Camera Indicator
    Yes
    Also visible in LiveView Modes
     
  • Save/Load Camera settings
    Yes
     
  • Nikon Creative Lighting System Compatibility
    Yes
    Built-in Commander Mode 2 Groups: A and B
     
  • Flash Sync Speed
    up to 1/250
     
  • X-Sync Speed
    up to 1/250
     
  • FP High Speed Sync
    up to 1/8000
     
  • Flash Sync Modes
    Front-curtain sync (normal)
    Slow sync
    Rear-curtain sync
    Red-eye reduction
    Red-eye reduction with slow sync
     
  • Flash Control
    1) TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard i-TTL fill-flash available with SB-900, SB-800, SB-600 or SB-400
    2) Auto aperture (AA): Available with SB-900, SB-800 and CPU lens
    3) Non-TTL auto (A): Available with SB-900, SB-800, 28, 27 or 22s
    4) Range-priority manual (GN): Available with SB-900, SB-800
     
  • Flash Sync Terminal
    Yes
     
  • Accessory Shoe
    Yes
     
  • Self-timer
    Electronically controlled timer with duration of 2, 5, 10 or 20 sec.
     
  • World Time Setting
    Yes
     
  • Date, Time and Daylight Savings Time Settings
    Yes
     
  • Battery Type
    Rechargeable
     
  • Battery / Batteries
    EN-EL3e Lithium-ion Battery
     
  • AC Adaptor
    EH-5a AC Adapter
     
  • Battery Charger
    MH-18a Quick Charger
     
  • Image Comment
    Yes
     
  • Voice Memo Function
    No
     
  • Battery Life (shots per charge)
    1000 shots (CIPA)
     
  • Tripod Socket
    ¼-20
     
  • Approx. Dimensions
    Width 5.8 in. (147mm)
    Height 4.8 in. (123mm)
    Depth 3.0 in. (77mm)
     
  • Approx. Weight
    35 oz. (995g)
     
  • Supported Languages
    Chinese (Simplified and Traditional), Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Polish, Portuguese, Russian, Spanish, Swedish
     
  • Optional Accessories
    MB-D10 Mulit-power Battery Pack, WT-4a Wireless Transmitter, DK-17M Magnifying Eyepiece, EH-5a AC Adapter, Capture NX 2 Software, Camera Control Pro 2 Software, Image Authentication Software
     
  • Supplied Accessories
    EN-EL3e Rechargeable Li-ion Battery, MH-18a Quick Charger, UC-E4 USB Cable, EG-D100 Video Cable, AN-D700 Camera Strap, BF-1A Body Cap, BS-1 Accessory Shoe Cover, BM-9 LCD Monitor Cover, Software Suite CD-ROM