Filed Under Photography
In portrait photography there are a few guidelines that you should review and think about when you take pictures of people. The three general types of portrait photography are: close-ups or facial shots, upper body shots, or environmental portraits (where you focus on the subject and the surrounding environment that gives the subject character).
Some of the best portraits are where the subjects look completely comfortable like their not looking at a camera. When people try to smile or make a certain kind of face for the camera it usually doesn’t seem very genuine. The trick is to capture the image when the subject(s) aren’t necessarily focused on the camera. The main purpose of portrait photography is to capture the essence of the subject(s). Different people have different techniques for doing this, one of which is taking a picture while the subject is planning on smiling and then take another couple while they are recovering. Or another way would be to tell a funny joke where they can’t help but genuinely laugh and smile. But probably the best way is just to catch them off guard by waiting for the right opportunity and snapping a picture right when they look at you not expecting a camera.
Close-up portraits usually have the subject’s shoulders and head or less. They are basically framed around the face. These are the best to capture expressions and glamour shots. It is very important to have the light coming from a good angle for these. If you want to accent wrinkles or small details you should have the light coming from the side or from the top. If you want flattering pictures you should take these on a day that’s cloudy so there is a lot of diffused light and therefore no shadows.
You will get the best results if the subject is brighter than the background so there is not much distraction. For these you should use a wide aperture (low f/stop) to make the background out of focus and less of a distraction. Professionals usually use a fixed telephoto lens that’s 90 mm or a little higher for portraits for the reason that it de-emphasizes the subjects nose or any other unflattering feature because at that far away the nose or any other significant feature doesn’t seem closer to the camera than the rest of the face.
Upper body shots or midrange portraits are a little less personal than close-ups. These are easier to get satisfactory results from mainly because your subject is probably more relaxed plus you can include a little of the background. These are probably the most commonly used for single subjects and multiple subjects. The ideal lens would be around a 90 mm fixed telephoto lens but if there’s many subjects in your frame you will need more of a wide-angle lens. These are usually used to mark occasions such as graduation, school yearbook, birthdays etc…
Environmental portraiture are portraits that let us into the life of the subject. These usually include the whole subject in a scenario or partaking in some hobby that they enjoy. These are best for telling a story to the viewer about the subject in the pictures. Photojournalists almost always use these to look into the lives of interesting people. These also work very well in Black and White.
Filed Under Photography
Exposure is the amount of light collected by the sensor in your camera during a single picture. If the shot is exposed too long the photograph will be washed out. If the shot is exposed too short the photograph will appear too dark. Almost all cameras today have light meters which measure the light in the given shot and set an ideal exposure automatically. Most people depend on the light meter which is fine, but if you know how to control your exposures you can get some creative and sometimes better pictures. (The photo on the left is with low shutter speed and narrow aperture (high f/stop).
The two primary controls your camera uses for exposure are shutter speed (the amount of time the sensor is exposed to light) and aperture (the size of the lens opening that lets light into the camera). Shutter speeds are measured in seconds and more commonly fractions of a second. (1/2000 of a second is very fast and 8′ seconds is extremely slow). Apertures are measured in something called f/stops (a very wide aperture is f/2.8 and a very small aperture is f/19).
You might wonder why there is not just a constant shutter speed or a constant aperture so that you would only have to worry about one control. The reason is that even though they both control the amount of light getting to the sensor they also control other aspects of the picture. Shutter speed for example can be used to freeze subjects in midair with a fast speed or it can be used to blur water with a slow speed. Aperture controls the depth-of-field which is what is in focus in the picture. Aperture can be used to draw attention to one subject (like the flower on the right) by blurring the background with a wide aperture (low f/stop). Aperture can also be used to focus everything in a picture with a narrow aperture (high f/stop). (The photo on the left is with Wide aperture (low f/stop) and corresponding shutter speed).
On most digital SLR’s (Single Lens Reflex) cameras today you can even change the sensitivity of the sensor when collecting light which is called the ISO speed. The common span of ISO speed is 100 to 800. The higher the ISO speed the faster the camera collects light but it also adds more noise to the photograph than the lower speeds. For example if your trying to take pictures in dim light without a tripod you might want to raise the ISO speed in order to get a picture that’s not blurry. Most of the time you should keep it at a lower ISO speed if there is enough light, but it makes a big difference when there isn’t.

Low shutter speed and slightly narrow aperture (pretty high f/stop)
The best way to learn how to use shutter speed and aperture is to just keep experimenting with them.
Filed Under Digital Camera

Nikon Corporation gives the introduction of its latest FX-format digital SLR, Nikon D700 - exceptional performance combined with superior versatility functional mobility and to provide serious photographers with excellent value.
The new Nikon D700 has a wide range of features such as high definition, 3-inch VGA TFT-LCD Monitor with wide viewing angle; 12.1 million pixels-FX format of a CMOS sensor surface 36, 0 x 23.9 mm, the sensitivity range of ISO 200 to 6400; gust up to 5 frames per second (and up to 8 frames per second with the option multi-Power Battery Pack MB-D10, Nikon’s exclusive 51-point AF - System; Scene Recognition System for better auto focus, auto exposure and white balance automatic detection.
Nikon D700 Features :
- Large image sensor, developed by Nikon; 12.1 effective megapixels
- Wide sensitivity range
- High-speed performance
- EXPEED image processing
- Scene Recognition System
- Picture Control System
- Active D-Lighting
- AF system with high-density 51-point AF
- Choose from two Live View modes
- DX cropping mode
- High-definition, 3-inch VGA, TFT LCD monitor with wide viewing angle
- Viewfinder provides 95% frame coverage, 0.72x magnification in FX format
- Image Sensor Cleaning
- Built-in flash with wireless commander function
Nikon D700 Specification :
Image Sensor Format
FX
Image Sensor Type
CMOS
Sensor Size
36.0 x 23.9mm
Total Pixels
12.87 million
Effective Pixels
12.1 million
Image Area (pixels)
FX-format
(L) 4,256 x 2,832
(M) 3,184 x 2,120
(S) 2,128 x 1,416
DX-format
(L) 2,784 x 1,848
(M) 2,080 x 1,384
(S) 1,392 x 920
Top Continuous Shooting Speed at full resolution
5 frames per second
Continuous Shooting Options
FX-format
CH: Up to 5 frames per second
CL: Up to 4 frames per second
DX-format
CH: Up to 5 frames per second
CL: Up to 4 frames per second
LCD Monitor Size
3 in. diagonal
LCD Monitor Type
Wide Viewing Angle TFT-LCD
Super Density
LCD Monitor Resolution
920,000 Dots
LCD Monitor Angle of View
170-degree wide-viewing angle
LCD Monitor Adjustments
Brightness, 7 levels
Slowest Shutter Speed
30 sec.
Fastest Shutter Speed
1/8000 sec.
Bulb Shutter Setting
Yes
Mirror Lock Up
Yes
Lowest Standard ISO Sensitivity
200 in steps of 1/3, 1/2, 1 EV
Highest Standard ISO Sensitivity
6400 in steps of 1/3, 1/2, 1 EV
Highest Expanded ISO Sensitvity
Hi-2 (ISO 25,600 equivalent)
Expanded ISO Sensitivity Options
- Lo-1 (ISO 100 equivalent), in steps of 1/3, 1/2, 1 EV
- Hi-1 (ISO-12,800 equivalent), in 1/3, 1/2 or 1 EV steps
- Hi-2 (ISO-25,600 equivalent), 1 EV step
Storage Media
CompactFlash© (Type I/II, compliant with UDMA)
MicroDrive©
Storage System
Uncompressed 12/14-bit NEF (RAW)
Uncompressed 12-bit NEF (RAW)
Compressed 12/14-bit NEF (RAW, Lossless compressed): approx. 60-80 percent
Compressed 12/14-bit NEF (RAW, Compressed): approx. 45-60 percent
JPEG: JPEG-baseline-compliant; can be selected from Size priority and Optimal Quality
TIFF (RGB)
File System
Compliant with DCF 2.0
DPOF
EXIF 2.21
Exposure Modes
Programmed Auto (P) with Flexible Program
Shutter- Priority Auto (S)
Aperture-Priority Auto (A)
Manual (M)
Exposure Metering System
1,005-pixel RGB sensor 3D Color Matrix Metering II
Metering Range
- 0 to 20 EV (Matrix or Center-weighted metering);
- 2 to 20 EV (Spot metering) (ISO 100 equivalent, f/1.4 lens, at 20 degrees C/68 degrees F)
Exposure Meter Coupling
CPU
AI
Exposure Compensation
±5 EV in increments of 1/3, 1/2, 1 EVEV in increments of 1/3, 1/2, 1
Exposure Lock
Yes
Exposure Bracketing
Yes
From 2 to 9 exposures in increments of 1/3, 1/2, 2/3 or 1 EV
Shutter Release Modes
LiveView [LV] mode
Continuous low-speed [CL] mode; 1-4 frames per second Continuous high-speed [CH] mode; 5 frames per second
White Balance
Sun
Shade
Fluorescent
Incandescent
Flash
Preset
Fine Tune by Kelvin Color Temperature Setting
Auto
White Balance Bracketing
Yes, 2 to 9 exposures, in increments of 1, 2 or 3
LiveView Shooting
Handheld mode
Tripod mode
Playback Functions
Full frame
Zoom
Slideshow
Histogram
Highlight point display
Auto image rotation
Thumbnail (4 or 9 segments)
Interface
Hi-speed USB
NTSC
PAL
HDMI
10-pin Terminal
Lens Mount
Nikon F mount
Compatible Lenses
1) Type G or D AF NIKKOR: All functions supported
2) DX AF NIKKOR: All functions supported except FX-format (36×24)/image size
3) AF NIKKOR other than type G or D*2: All functions supported except 3D Color Matrix Metering II
4) AI-P NIKKOR: All functions supported except auto-focus and 3D Color Matrix Metering II
5) Non-CPU AI NIKKOR: Can be used in exposure modes A and M; electronic rangefinder can be used if maximum aperture is f/5.6 or faster; Color Matrix Metering and aperture value display supported if user provides lens data
Picture Angle
Equivalent to angle produced by lens focal length (1.5 times when DX format is selected)
Viewfinder
SLR-type with fixed eye-level pentaprism
Viewfinder Frame Coverage
Approx. 95%
Viewfinder Diopter Adjustment
-3 to +1m-1
Viewfinder Eyepoint
18mm
Reflex Mirror
Quick-return type
Interchangeable Focusing Screens
No
Type B BriteView Clear Matte VI screen with superimposed AF points
Viewfinder Magnification
Approx. 0.72x (50mm f/1.4 lens at infinity)
Lens Aperture
Instant-return type with depth-of-field preview button
Depth-of-field Control
Yes
Autofocus System
Autofocus TTL phase detection, 51 focus points
(15 cross-type sensors) by Nikon Multi-CAM 3500FX autofocus module; Detection: -1 to +19 EV (ISO 100 at 20°C/68°F); AF fine adjustment possible. AF-assist illuminator (range approx. 1.6-9.8 ft./0.5-3.0m)
Maximum Autofocus Areas/Points
51
Autofocus Fine Tune
Yes
Records values for up to 12 user selected lenses
Focus Modes
Single-servo AF (S)
Continuous-servo (C)
Manual
Auto
Manual (M) with electronic rangefinder
Single-point AF Mode
Yes
Dynamic AF Mode
Yes
Number of AF points: 9, 21, 51 and 51 with 3D-tracking
Auto-area AF Mode
Yes
Focus Lock
AE-L/AF-L button
Half press of shutter-release button (single-point AF in AF-S)
Picture Control
Standard
Neutral
Vivid
Monochrome
Nine User-customizable settings
In-Camera Image Editing
Trim
D-Lighting
Color Balance
Image Overlay
Filter Effects
Monochrome
Red-eye correction
Built-in Flash
Yes
Manual pop-up type
External Flash Shoe
Yes
External Flash Shoe Type
Standard ISO 518 hot-shoe contact with safety lock
Dust-Off Reference Photo
Yes
Virtual Horizon Camera Indicator
Yes
Also visible in LiveView Modes
Save/Load Camera settings
Yes
Nikon Creative Lighting System Compatibility
Yes
Built-in Commander Mode 2 Groups: A and B
Flash Sync Speed
up to 1/250
X-Sync Speed
up to 1/250
FP High Speed Sync
up to 1/8000
Flash Sync Modes
Front-curtain sync (normal)
Slow sync
Rear-curtain sync
Red-eye reduction
Red-eye reduction with slow sync
Flash Control
1) TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard i-TTL fill-flash available with SB-900, SB-800, SB-600 or SB-400
2) Auto aperture (AA): Available with SB-900, SB-800 and CPU lens
3) Non-TTL auto (A): Available with SB-900, SB-800, 28, 27 or 22s
4) Range-priority manual (GN): Available with SB-900, SB-800
Flash Sync Terminal
Yes
Accessory Shoe
Yes
Self-timer
Electronically controlled timer with duration of 2, 5, 10 or 20 sec.
World Time Setting
Yes
Date, Time and Daylight Savings Time Settings
Yes
Battery Type
Rechargeable
Battery / Batteries
EN-EL3e Lithium-ion Battery
AC Adaptor
EH-5a AC Adapter
Battery Charger
MH-18a Quick Charger
Image Comment
Yes
Voice Memo Function
No
Battery Life (shots per charge)
1000 shots (CIPA)
Tripod Socket
¼-20
Approx. Dimensions
Width 5.8 in. (147mm)
Height 4.8 in. (123mm)
Depth 3.0 in. (77mm)
Approx. Weight
35 oz. (995g)
Supported Languages
Chinese (Simplified and Traditional), Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Polish, Portuguese, Russian, Spanish, Swedish
Optional Accessories
MB-D10 Mulit-power Battery Pack, WT-4a Wireless Transmitter, DK-17M Magnifying Eyepiece, EH-5a AC Adapter, Capture NX 2 Software, Camera Control Pro 2 Software, Image Authentication Software
Supplied Accessories
EN-EL3e Rechargeable Li-ion Battery, MH-18a Quick Charger, UC-E4 USB Cable, EG-D100 Video Cable, AN-D700 Camera Strap, BF-1A Body Cap, BS-1 Accessory Shoe Cover, BM-9 LCD Monitor Cover, Software Suite CD-ROM