
Almost exactly 12 months after the launch of the Cyber-shot DSC-H2 and DSC-H5 Sony announced the replacement cameras; the DSC-H7 and the top-of-the-range model reviewed here; the DSC-H9. That Sony chose to increase the pixel count (to 8MP) and to include this year’s ‘must have’ features (face detection and ludicrously high maximum ISO) can’t have surprised many, but there are a few less predictable new features, and a few welcome changes. The former include Sony’s unique ‘NightShot’ infra-red mode (seen on many camcorders as well as a few Cyber-shots over the years), a 15x zoom and HDTV (well, 1080i) output. The latter include an articulated (tilt-up) screen, improved focus system, faster performance and a new (in the box) remote control.
The super-zoom market is still one of the most competitive sectors and the H9 is up against some stiff competition from old foes such as Panasonic, Canon and Olympus. The H2 and H5 were both well-received when reviewed this time last year, so let’s find out if Sony has built on that success or not.
Cyber-shot DSC-H9 vs DSC-H5 – key changes
- New sensor (8MP versus 7MP)
- longer lens range (15x up from 12x)
- Higher maximum sensitivity (ISO 3200)
- Tilt-up articulated screen
- Lithium Ion battery
- Control dial has moved to rear of camera
- 9-point AF (was 3-point)
- New Sports mode
- HDTV (1080i) video output (via optional component cable)
- Face detection
- D-Range optimization (auto contrast)
- In-camera retouching
- Remote control included
- NightShot function for shooting in the dark
- Entirely new user interface
DSC-H9 specifications
| Street price |
• US: $480
• UK: £320 |
| Body Material |
Plastic |
| Sensor |
• 1/2.5 ” Type CCD
• 8.1 million effective pixels |
| Image sizes |
• 3264 x 2448
• 2592 x 1944
• 2048 x 1536
• 640 x 480
• 3264 x 2176 (3:2)
• 1920 x 1080 (16:9) |
| Movie clips |
• MPEG VX Fine / Standard
(640 x 480 @ 30 / 16 fps MPEG-1 with audio) |
| File formats |
• Still: JPEG
• Movie: MPEG VX (MPEG-1) |
| Lens |
• Carl Zeiss Vario-Tessar
• 31-465mm (35mm equiv)
• 15x optical zoom
• F2.7-4.5 |
| Image stabilization |
Super SteadyShot® |
| Conversion lenses |
Yes |
| Digital zoom |
• 2x (24x total)
• Up to 30x Smart Zoom (dependent on selected resolution) |
| Focus |
• Auto
• Macro
• Single
• Monitoring |
| AF area modes |
• 9 Area Multi-Point AF
• Center AF
• Flexible spot AF
• Contrast detect |
| AF assist lamp |
Yes |
| Focus distance |
• Normal: 50cm (19.7 in) minimum (W), 120cm (47.25 in) minimum (T)
• Macro: 1cm (0.4 in) wide only |
| Metering |
• Multi-pattern (49 zone)
• Center weighted
• Spot |
| ISO sensitivity |
• Auto
• ISO 80
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200 |
| Exposure compensation |
• +/-2EV
• 1/3 EV steps |
| Exposure bracketing |
+/- 0.3, 0.7, 1.0 EV |
| Shutter speed |
• Auto: 1/4-1/4000sec
• P: 1″-1/4000sec
• S: 30″-1/4000sec
• A: 8″-1/2000sec
• M: 30″-1/4000sec |
| Aperture |
F2.7-5.6 (w) F4.5-8 (t) |
| Modes |
• Program
• Aperture priority
• Shutter priority
• Manual
• 9-preset select scene modes |
| Scene modes |
• Twilight
• Twilight Portrait
• Portrait
• Landscape
• Beach
• Snow
• Fireworks
• High Sensitivity
• Advanced Sports Shooting |
| White balance |
• Auto
• Daylight
• Cloudy
• Fluorescent 1, 2, 3
• Incandescent
• Flash WB
• Manual |
| Self timer |
• 10 or 2 secs |
| Continuous shooting |
100 shots, 2.2fps, 8MP (max) |
| Image parameters |
Natural, Vivid, Sepia, B&W, Sharpness, Contrast |
| Flash |
• Auto
• On
• Slow Synch
• Off
• Red-eye reduction
• Front/rear synch
• Auto/Daylight synch
• Range: 0.2 – 9.8m (wide) 1.2 – 6m (tele) |
| Viewfinder |
• 0.2″ EVF
• 201K pixels |
| LCD monitor |
• 3.0-inch tilting TFT
• 230K pixels |
| Connectivity |
• USB 2.0 high speed
• HD
• AV w/multi-jack
• DC in |
| Print compliance |
PictBridge, DPOF |
| Storage |
• Memory Stick Duo / Pro Duo compatible
• 31MB internal memory |
| Power |
• Lithium-ion NP-BG1 battery
• BC-CSG Charger |
| Weight (inc batt) |
554 g (1 lb 4.3 oz) |
| Dimensions |
113.2 x 83 x 94 mm (4.6 x 3.3 x 3.7 in) |

Almost exactly 12 months after the launch of the Cyber-shot DSC-H2 and DSC-H5 Sony announced the replacement cameras; the DSC-H7 (reviewed here) and the top-of-the-range mode the DSC-H9 (reviewed at the end of May). That Sony chose to increase the pixel count (to 8MP) and to include this year’s ‘must have’ features (face detection and ludicrously high maximum ISO) can’t have surprised many, but there are a few less predictable new features, and a few welcome changes. The former include a 15x zoom and HDTV (well, 1080i) output. The latter include an improved focus system, faster performance and a new (in the box) remote control. The H7 and H9 appear to be internally pretty much identical, though there are some feature differences that explain the $80 price difference (chiefly, the H9′s screen and NightShot mode) – the H7 is basically the ‘budget’ model.
Note: Some sections of this review are taken directly from the Sony H9 review as in most respects the cameras are functionally identical. All test images are from the H7 unless indicated.
Cyber-shot DSC-H7 vs DSC-H2 – key changes
- New sensor (8MP versus 6MP)
- longer lens range (15x up from 12x)
- Higher maximum sensitivity (ISO 3200)
- Larger screen (2.5-inch vs 2.0 inch)
- Lithium Ion battery
- Control dial has moved to rear of camera
- 9-point AF (was 3-point)
- New Sports mode
- HDTV (1080i) video output (via optional component cable)
- Face detection
- D-Range optimization (auto contrast)
- In-camera retouching
- Remote control included
- Entirely new user interface
DSC H-7 specifications
| Street price |
• US: $380
• UK: £245 |
| Body Material |
Plastic |
| Sensor |
• 1/2.5 ” Type CCD
• 8.1 million effective pixels |
| Image sizes |
• 3264 x 2448
• 2592 x 1944
• 2048 x 1536
• 640 x 480
• 3264 x 2176 (3:2)
• 1920 x 1080 (16:9) |
| Movie clips |
• MPEG VX Fine / Standard
(640 x 480 @ 30 / 16 fps MPEG-1 with audio) |
| File formats |
• Still: JPEG
• Movie: MPEG VX (MPEG-1) |
| Lens |
• Carl Zeiss Vario-Tessar
• 31-465mm (35mm equiv)
• 15x optical zoom
• F2.7-4.5 |
| Image stabilization |
Super SteadyShot® |
| Conversion lenses |
Yes |
| Digital zoom |
• 2x (24x total)
• Up to 30x Smart Zoom (dependent on selected resolution) |
| Focus |
• Auto
• Macro
• Single
• Monitoring |
| AF area modes |
• 9 Area Multi-Point AF
• Center AF
• Flexible spot AF
• Contrast detect |
| AF assist lamp |
Yes |
| Focus distance |
• Normal: 50cm (19.7 in) minimum (W), 120cm (47.25 in) minimum (T)
• Macro: 1cm (0.4 in) wide only |
| Metering |
• Multi-pattern (49 zone)
• Center weighted
• Spot |
| ISO sensitivity |
• Auto
• ISO 80
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200 |
| Exposure compensation |
• +/-2EV
• 1/3 EV steps |
| Exposure bracketing |
+/- 0.3, 0.7, 1.0 EV |
| Shutter speed |
• Auto: 1/4-1/4000sec
• P: 1″-1/4000sec
• S: 30″-1/4000sec
• A: 8″-1/2000sec
• M: 30″-1/4000sec |
| Aperture |
F2.7-5.6 (w) F4.5-8 (t) |
| Modes |
• Program
• Aperture priority
• Shutter priority
• Manual
• 9-preset select scene modes |
| Scene modes |
• Twilight
• Twilight Portrait
• Portrait
• Landscape
• Beach
• Snow
• Fireworks
• High Sensitivity
• Advanced Sports Shooting |
| White balance |
• Auto
• Daylight
• Cloudy
• Fluorescent 1, 2, 3
• Incandescent
• Flash WB
• Manual |
| Self timer |
• 10 or 2 secs |
| Continuous shooting |
100 shots, 2.2fps, 8MP (max) |
| Image parameters |
Natural, Vivid, Sepia, B&W, Sharpness, Contrast |
| Flash |
• Auto
• On
• Slow Synch
• Off
• Red-eye reduction
• Front/rear synch
• Auto/Daylight synch
• Range: 0.2 – 9.8m (wide) 1.2 – 6m (tele) |
| Viewfinder |
• 0.2″ EVF
• 201K pixels |
| LCD monitor |
• 2.5″ TFT
• 115K pixels |
| Connectivity |
• USB 2.0 high speed
• HD
• AV w/multi-jack
• DC in |
| Print compliance |
PictBridge, DPOF |
| Storage |
• Memory Stick Duo / Pro Duo compatible
• 31MB internal memory |
| Power |
• Lithium-ion NP-BG1 battery
• BC-CSG Charger |
| Weight (excl batt) |
514 g (1lb 2.1 oz) – incl. strap, adaptor ring, lens hood, cap etc. |
| Dimensions |
109.5 x 83.4 x 85.7 mm (4.6 x 3.3 x 3.7 in) |


Announced at PMA in February 2007, the Cyber-shot W80 is one of three almost identical models that differ only in their pixel count (the range-topping W200 is 12MP, the W90 is 8MP and the W80 is 7MP). The W series has been gradually refined over the last few generations and now offers a more affordable alternative to the ultra-slim ‘T’ series whilst still offering a compact body, optical image stabilization and – new for these models – HDTV (1080i) output – albeit with an optional composite video cable or Cyber-shot Station dock. Also new to the W series is a new multi-point AF system and – of course – face detection AF/AE. Otherwise the spec is pretty standard ultra compact fare; 3x zoom, 2.5-inch screen and a claimed 340 shot battery capability. This is a crowded part of the market and Sony is one of the most successful players, and the W80 has proved very popular since it arrived in stores a few months ago. But is it any good? Let’s find out, starting as usual with the headline features:
- 1/2.5″ CCD sensor, 7.2 million effective pixels
- 3x Carl Zeiss branded optical zoom
- 2.5″ LCD screen
- HDTV video output (requires optional cable or dock)
- Super Steady Shot image stabilization
- 4cm macro
- ISO 80-3200
- 7 Scene modes
- 2.8 fps continuous shooting
- Available in 4 colors (black, silver, white and pink)
Sony DSC-W80 specifications
| Street price |
• US: $220
• UK: £150 |
| Body Material |
Metal |
| Sensor |
• 1/2.5″ Sony Super HAD Type CCD
• 7.2 million effective pixels
• Bionz Processor |
| Image sizes |
• 3072 x 2304
• 2592 x 1944
• 2048 x 1536
• 640 x 480
• 3072 x 2048 (3:2)
• 1920 x 1080 (16:9) |
| Movie clips |
• MPEG Movie VX (VGA 30fps movie mode with audio)
• MPEG VX Standard, 640×480, 16.6fps
• MPEG Presentation, 320×240, 8.3fps |
| File formats |
• Still: JPEG
• Movie: MPEG1 |
| Lens |
• Carl Zeiss Vario-Tessar
• 3x optical zoom
• 35-105mm (35mm equiv)
• F2.8-5.2 |
| Image stabilization |
Super Steady Shot (optical image stabilization) |
| Conversion lenses |
no |
| Digital zoom |
Precision 2x, TTL 6x |
| Focus |
• Auto
• Macro
• Single
• Monitoring
• Manual focus (presets) |
| AF area modes |
• 9-point Multi
• Center
• Center Spot |
| AF assist lamp |
Yes |
| Focus distance |
• AF: 50cm
• Macro: 4cm (wide) 35cm (tele) |
| Metering |
• Multi-pattern
• Center-weighted
• Spot |
| ISO sensitivity |
• Auto
• ISO 80
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200 |
| Exposure compensation |
+/-2EV in 1/3EV stop increments |
| Exposure bracketing |
• +/- 0.3EV
• +/- 0.7EV
• +/- 1.0EV |
| Shutter speed |
• Auto: 1/4-1/1600
• P: 1″-1/1600 |
| Aperture |
• F2.8-8 (W)
• F5.2-14.8 (T) |
| Modes |
• Auto
• Program Auto
• Scene
• Movie |
| Scene modes |
• Twilight
• Twilight Portrait
• Landscape
• Beach
• Snow
• High Sensitivity
• Soft Snap |
| White balance |
• Auto
• Daylight
• Cloudy
• Fluorescent 1, 2, 3
• Incandescent
• Flash WB |
| White balance fine tune |
no |
| Self timer |
2 or 10 sec |
| Continuous shooting |
100 shots, 2.8fps, 7MP (max) |
| Image parameters |
Color modes: Natural, Vivid, Sepia, B&W |
| Flash |
• Auto
• On
• Slow synch
• Off
• Red-eye reduction
• Range: 0.2-3.3m (wide) 0.4-1.8m (tele) |
| Viewfinder |
Optical real image |
| LCD monitor |
• 2.5-inch
• 115,000 pixel |
| Connectivity |
• USB
• HDMI (via optional cable)
• AV w/multi-jack |
| Print compliance |
•PictBridge
• DPOF |
| Storage |
• Memory Stick / Pro Duo
• 31 MB card internal memory |
| Power |
• Lithium-ion battery NP-BG1
• BC-CSG Charger (included) |
| Weight (no battery) |
124 g (4.4 oz) |
| Dimensions |
91 x 58 x 22.9 mm (3 9/16 x 2 5/16 x 7/8 in) |